| Composer | Opus | Music | Key | Performer |
| Britten, Benjamin | | Nocturnal | | Julian Bream, guitar |
| | | Hardy’s England | |
| | | Heigh Ho Holiday | |
| | | I was born in Battersea | |
| | | My musical father | |
| | | Django and Eddie Lang | |
| | | My first Spanish guitar and meeting Segovia | |
| | | ‘BMG’ and the Philharmonic Society of Guitarists | |
| | | The ‘PSG’ library | |
| | | A day boy at Royal College of Music | |
| | | Segovia 1947/Castelnuovo-Tedesco | |
| | | Saraband for Dead Lovers | |
| | | Royal College of Music – no fee! | |
| | | BBC radio and television | |
| | | Julian discovers Dowland | |
| | | Wigmore debut/Bach suites | |
| | | National Service | |
| | | Aldeburgh – meeting Britten and Pears | |
| | | George Malcolm | |
| | | Improvising as a resource | |
| | | The Julian Bream Consort | |
| | | Meeting Ali Akbar Khan | |
| | | Stravinsky – the quest for repertoire | |
| | | ‘A life in the country’/cricket – a passion | |
| | | Recording at Wardour Castle | |
| | | The Renaissance and Baroque guitars | |
| | | What is essentially Spanish? | |
| | | New music for the guitar | |
| | | Aldeburgh and the writing of ‘Nocturnal’ | |
| de Falla, Manuel | | Homenaje | |
| | | Working with John Williams | |
| | | ‘Come Heavy Sleep’ – ‘Passacaglia’ | |
| Aguado, Dionisio | | Rondo in A minor Op. 2 | |
| Villa-Lobos, Heitor | | Study No. 11 | |
| Morley, Thomas | | ‘Galliard to the Sacred End Pavan’ - Julian Bream Consort | |
| Walton, William | | Bagatelle No. 5 | |
| | | Guitarist’s Relish (‘bonus chapters’) | |
| | | The ‘Nocturnal’ manuscripts | |
| | | ‘1984’ and bouncing back | |
| | | My first recital and the Maccaferri guitar | |
| | | Sneaking my guitar into the Royal College of Music | |
| | | Julian’s nylons! | |
| | | RCM tutor: “Fernando Sor! … .never heard of him” | |
| | | Yuri Leschenko | |
| | | Dr. Perott’s techniques | |
