Guild  |
The term "Romance" is often used as a title for short, melodic pieces that are emotional in style and generally in the character of a song. The two pieces entitled "Romance" on this recording are good examples, but the term also has a relevance to many of the other works. A number of the pieces were originally composed as songs, or have choral or vocal connections, and the violin writing is often of a highly expressive and emotional nature. The organ is a most rewarding partner, being varied and colourful, and able to support the sustaining nature of a stringed instrument. |
| Disc No: GMCD 7191 | |
| Price: Sek. 157 | |
| Name: Romance for Violin and Organ | |
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| Order Stock? Index | |
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| Composer | Opus | Name | Key | Performer |
| Olsson, Otto (1879-1964) | Op.24 | Romance | Rachel Gough, Violin Rupert Gough, Organ | |
| Langlais, Jean (1907-1991) | Op.180 | Cinq Pièces | ||
| Massenet, Jules (1842-1912) | Thaïs - Méditation | |||
| Lovreglio, Eleuthere (1900-1972) | Arioso | |||
| Leighton, Kenneth (1929-1988) | Op.80 | Fantasy on a chorale "Es ist genug" | ||
| Lloyd-Webber, W. S. (1914-1982) | Benedictus | |||
| Saint-Saens, Camille (1835-1921) | Prière op. 158b | |||
| Rachmaninov, Sergei (1873 - 1943) | Vocalise | |||
| Reger, Max (1873-1916) | Romanze | |||
| Rütti, Carl (b.1949) | Pavane |