Guild  |
This rich palette is a far cry from Switzerland of the late 18th century. Though the country had a rich musical heritage through Medieval and Renaissance times, it was the Reformation that in many ways stunted its musical growth. At least this is the common perception. Sadly, the study of western musical history does not spend a lot of time on the music of Switzerland. In the field of church music, recent research has kindled an awareness of musical activities that operated in a parallel fashion to the restraints imposed by the church; particularly in Zurich. |
| Disc No: GMCD 7248 | |
| Price: Sek. 157 | |
| Name: Sacred Vocal Music from 18th Century Switzerland | |
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| Order Stock? Index | |
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| Composer | Opus | Name | Key | Performer |
| Meyer, Franciscus Josef Leonti (1720-1789) | Hymno Ambrosiano: Te Deum laudamus | The Choir of Gonville & Caius College, Cambridge -Geoffrey Webber The Cambridge Baroque Camerata - Jonathan Hellyer Jones Gavin Roberts, organ continuo | ||
| Schmidlin, Johannes (1722-1772) | Gloria in excelsis Deo | |||
| Bachofen, Johann Caspar (1695-1735) | Aria ā due: Schäfelein wo bleibst du doch? | |||
| Walder, Johann Jakob (1750-1817) | Drittes Morgen-Lied | |||
| Egli, Johann Heinrich (1742-1810) | Auf meines Gottes treu | |||
| Bachofen, Johann Caspar (1695-1735) | Christi Tod, des Todes Tod - Wo ist Jesus meine Liebe? | |||
| Bachofen, Johann Caspar (1695-1735) | Sonata | |||
| Bachofen, Johann Caspar (1695-1735) | Aria ā due | |||
| Schmidlin, Johannes (1722-1772) | Magnificat anima mea Dominum |