Naxos | The nineteenth century saw the flowering of Russian nationalism in the arts, above all in opera, where composers could explore essentially Russian subject matter together with music that had its roots in national tradition. Among the group of five contemporary nationalist composers, described by their mentor, the polymath Vladimir Stasov as the Mighty Handful, Nikolay Andreyevich Rimsky-Korsakov eventually assumed a leading position, using his gradually acquired technical knowledge both in his own music and in the revision of works by his colleagues Mussorgsky and Borodin, after their relatively early deaths. |
Disc No: 8.554844 | |
Price: Sek. 74 | |
Name: Grishko - Russian Tenor Arias Vol.2 | |
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Order |
Composer | Opus | Music | Key | Performer |
Rimsky-Korsakov, Nikolay | Sadko - Introduction | National Symphony Orchestra of Ukraine - Theodore Kuchar Vladimir Grishko, tenor | ||
Rimsky-Korsakov, Nikolay | Sadko - Sadko's Melismatic Song | |||
Tchaikovsky, Pyotr | The Slippers - Danse des cosaques | |||
Tchaikovsky, Pyotr | The Slippers - Vakula's Aria | |||
Rachmaninov, Sergey | Aleko - Men's Dance | |||
Rachmaninov, Sergey | Aleko - The Young Gypsy's Romance | |||
Dargomyzhsky, Alexandr | Rusalka - Prince's Cavatina & Aria (III) | |||
Dargomyzhsky, Alexandr | Rusalka - Gypsy Dance (V) | |||
Glinka, Mikhail | Ruslan & Lyudmila - Bayan's Song | |||
Glinka, Mikhail | A Life for the Tsar - Krakowiak | |||
Glinka, Mikhail | A Life for the Tsar - Sobinin's aria | |||
Rimsky-Korsakov, Nikolay | The Tsar's Bride - Lykov's Arioso I | |||
Rimsky-Korsakov, Nikolay | The Tsar's Bride - Lykov's Arioso III | |||
Tchaikovsky, Pyotr | The Maid of Orleans - Entr'acte | |||
Tchaikovsky, Pyotr | Iolanthe - Vaudemont's Romance | |||
Borodin, Alexander | Prince Igor - Polovtsian March | |||
Borodin, Alexander | Prince Igor - Vladimir's Aria |