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I have spent a great deal of my life exploring the secrets of the Italian bel canto, conveyed by David and my Father, and I have reached the conclusion that there are no secrets; it is just the natural voice that has to be heard, free from settings and so-called tone formation. There is only one problem; it takes time. Manipulation of the voice in different ways to achieve quick results is doomed to fail. If I can contribute to pass the Björling singing tradition on to future generations of singers, I will be more than pleased. [Lars Björling] | |
| Disc No: CDA-1826/27 | |
| Price: Sek. 300 | |
| Name: The art of Singing vol.2: Lars Björling | |
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| Composer | Music | Performer |
| Tchaikovsky, Pyotr | Eugene Onegin - Lensky aria, Op.24 | Lars Björling, tenor Harry Ebert Brita Lignell Jan Eyron, Piano Sergei Reznikov Anouchka Mukherjee |
| Verdi, Giuseppe (1813-1901) | Rigoletto, Act II: Ella mi fu rapita! - Act IV: La donna e mobile | |
| Verdi, Giuseppe | La forza del destino, Act III Scene 1: La vita e'inferno all'anfelice | |
| Mozart, Wolfgang Amadeus (1756-1791) | Die Zauberflöte, Act I - : Dies Bildnis ist bezaubernd schön K.620 | |
| Mozart, Wolfgang Amadeus | La Clemenza di Tito, Act II - : Se all'impero, amici Dei K.621 | |
| Mozart, Wolfgang Amadeus | Così fan tutte, Act I : Un'aura amorosa K.588 | |
| Gounod, Charles (1818-1893) | Faust, Act I: Prologue - Act III: Salut! demeure chaste et pure | |
| von Flotow, Friedrich (1812-1883) | Martha, Act III: M'Appari Tutt'Amor | |
| Bizet, Georges (1838-1875) | Les pecheurs de perles, Act I: A cette coix quel trouble | |
| Puccini, Giacomo (1858-1924) | Manon Lescaut, Act I: Donna non vidi mai | |
| Meyerbeer, Giacomo (1791-1864) | L'Africaine, Act IV: Mi batte il cor … O paradiso! | |
| Giordano, Umberto (1867-1948) | Andrea Chenier, Act I: Un di all'azzurro spazio | |
| Cilia, Francesco (1866-1950) | L'arlesiana, Act II: E la solita storia | |
| Rossini, Gioacchino (1792 - 1868) | Il barbiere di Siviglia: Se il mio nome saper | |
| Korngold, Erich (1897-1957) | Die tote Stadt, Act III: (Marietta's Lied, Op. 12 | |
| Rachmanioff, Sergei (1873-1943) | 6 Songs, Ne poy, krasavitsa, pri mne (Chanson Georgienne) Op.4:No.4 | |
| Rachmanioff, Sergei | 14 Songs, Veter perelyotniy (The Wind whispered) Op.34:No.4 | |
| Rachmanioff, Sergei | 12 Songs, Otrivok iz A. Myusse (Loneliness) Op.21:No.6 | |
| Rachmanioff, Sergei | 12 Songs, Zdes' khorosho (How Fair this spot) Op.21:No.7 | |
| Rachmanioff, Sergei | 12 Songs, Oni otvechali (They Answer) Op.21:No.4 | |
| Rachmanioff, Sergei | 6 Songs, V molchan'i nochi taynoy (In the silence of the night) Op.4:No.3 | |
| Alfvén, Hugo (1872-1960) | Skogen sofver | |
| Alfvén, Hugo | Serenad | |
| Alfvén, Hugo | Ved huset | |
| Alfvén, Hugo | Sommardofter | |
| Alfvén, Hugo | Saa tag mit hierte | |
| Alfvén, Hugo | langtar efter dig | |
| Boldemann, Laci (1921-1969) | Mopsen | |
| Boldemann, Laci | Den gröna hagen | |
| Boldemann, Laci | Tanten och Papegojan | |
| Boldemann, Laci | Purjo och Rädisa | |
| Obradors, Fernando (1897-1945) | Corazon, porque pasais - Con amores, la mi madre (With Love in my heart, mo - Del Cabello mas sutil | |
| Bellini, Vincenzo (1801-1835) | Malinconia, ninfa gentile - Dolente immagine di Fille mia | |
| Stenhammar, Wilhelm (1871-1927) | Lycklandsresa | |
| Stenhammar, Wilhelm | Lutad mot gärdet | |
| Stenhammar, Wilhelm | Vore jag ett litet barn | |
| Stenhammar, Wilhelm | I skogen | |
| Stenhammar, Wilhelm | En positivvisa | |
| Körling, August (1842-1919) | Aftonstämning (Evening Mood |