Tactus  |
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| Disc No: TC 570 001 |
The connections between the Netherlands and Italy are most easily illustrated. Dutch musicians had a long tradtion of travel to the south, and during the whole seventeenth century the latest editions from Venice or Bologna would readily be available in Amsterdam. And, if only during the few decades of Sweelinck’s teaching, it was throguh Amsterdam that the german organ school received decisive influences from the south. The present CD can be seen in the light of these relations between north and south. The music is writeen by composers from the north, who were all influenced by the south. But the interplay of lines is more complex, and more interesting than that. |
| Price: Sek. 170 | |
| Name: The Ahrend & Brunzema Organ | |
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| Composer | Opus | Music | Key | Performer |
| Scheidemann, Heinrich (1596 - 1663) | Herr Christ, der einig Gottessohn | Gustav Leonhardt, organ | ||
| Noordt, Anthoni van (1620 - 1675) | Psalm 50 | |||
| Scheidemann, Heinrich | Toccata in G | G major | ||
| Sweelinck, Jan Pieterszoon (1562 - 1621) | Toccata in C | C major | Matteo Imbruno, organ | |
| Sweelinck, Jan Pieterszoon | Ballo del granduca | |||
| Sweelinck, Jan Pieterszoon | Echo Fantasia in a | A minor | ||
| Anon | 3 variations on 'Daphne' | |||
| Scheidt, Samuel (1587 - 1654) | Bergamasca | |||
| Anon | 3 variations on psalm 23 | |||
| Scheidemann, Heinrich | Erbarme dich mein, o Herre Gott | |||
| Scheidemann, Heinrich | Surrexit pastor bonus |